#agent argus

[morganbritton132]

Eddie is just trying to sneakily film a Tiktok of Steve complaining about missing another day of work despite the fact that for the better part of the last fifteen hours, he’s been down for the count with a migraine. Eddie barely gets any of his truly ridiculous rant because Steve’s moved on to talk about the commercial faintly playing on the tv.

The song in the commercial is 1985 by Bowling for Soup and Steve is like, “That was a good year, yeah?”

Eddie: …Weren’t you in a fire in 1985?

Steve: Yeah, but it was still a good year

Eddie: All those people died that summer

Eddie: And that was the year that your dad cut you off because you didn’t get into college and you had to get a job dressed as a sailor.

Eddie: And you got beat up and stuck in an elevator

Eddie: You hit a guy with a car

Steve: And it was still a good year! That’s when I met Robin.

[grif-hawaiian-rolls]

So, Tex might've had a thing for smartasses and nerds with nice asses. Sue her. "I'd love to take you apart, Agent Texas," "Tell you what, Doctor Grey. Call me Beth and I might just let you."

RVB Rarepair Week, Day 4: This doesn't seem physically possible!

Characters who never met in canon,,, the galaxy brain of this prompt was both fun and surprisingly hard to fill!!

[local-meme-lord]

Okay, I know it is supposed to be spooky season, but I need to share this on my main.because it both the most cute yet weirdest illustration from a purly in universe pov and I always remember it around this time.

Okay, this is it. On the surface, it's a very cute villain chirstmas get together.

But then you realize despite Donald being the warden, most of these guys are from Mickey universe even the lesser known ones [even catnip despite him being more of a bully than a harden criminal) . And for some reason Megavolt is only darkwing villain there.

Then you see Eil having a crush on Clarabelle, which is simply not the case, as he's merely using her.

And also Scuttle pushing Vulter.

Scuttle pushing freaking Vulter!

And yeah, the more you think about it the more it get weird. Especially with Jimmy just vibing on a gift

[berryicet]

friendly rivalry

[blackhholes]

teen wolf meme: [3/5] motifs -> resurrection

It's different now. I think dying did something to him. It did something to me, too. But none of it was good.

[lesbiangiratina]

I LOVE PRONOUNS

[severussnapemylove]

(In a Severus lived universe) Imagine after the Second Wizarding War, the Ministery wants to arrest Severus and send him to Azkaban and you're standing in between them with ice and fire in your eyes like..."If you touch him, if you even try to take him away, you'll have a war on your hands that will make Voldemort look like a child with a slingshot."

[oath-of-the-gaywatch]

We don’t talk enough about that time Jace proposed to Liliana and then cried like a baby in an alleyway when she said ‘Maybe’

[agentoffangirling]

Simmons: Well, has Fitz been wrong before? Daisy: How wide are we willing to open this up?

[violethursday]

WHY ARE THE GIRLS FIGHTING

(feat. Acht I guess)

[whumpypepsigal]

The Night Agent s01e02: “Rose, it’s gonna be okay.”

[sisterdivinium]

Genetic engineering, DNA modification, tested it on herself... Why would Jillian go through all this trouble? Adoption would be easier, surrogacy wouldn't be an issue for a woman with so much money, so why this devotion to medical science, to gene manipulation?

This doesn't seem very logical unless we take one step further in examining her characterisation as a sort of Virgin Mary character implied by her clothing and framing during season one: a man is never mentioned in connection to Michael's conception, either as donor or father... Possibly because Michael has no father. Jillian has made him up from scratch or, at least, using only her own genetic material.

This would surely equate to an awesome "medical marvel" and it would accomplish two additional things: first, it would account for just how sick Michael needs to be so that an extremely rare substance that doesn't even belong to this world can be his sole hope in surviving (the result of a miscalculation, an unforeseen mutated gene, some error in Jillian's design, the absence of something); and second, reproduction without the aid of man ("sinless", sexless) not only ties Jillian's character more closely to the theme of the holy mother, it also more strongly makes a Jesus figure out of Michael.

This is significant because it makes him into a designated saviour: Michael, too, "dies", crossing to "the other side" and later returning with the mission of saving humanity, which is the role he is sure he will play during all of season two. This story has been told before, the structure is the same and we all know it. He mirrors Christ in his being born of a woman untouched by man, in going beyond life and back, in being tasked by a higher power to act for others in his sacrifice. It is a destiny clearly written out for him, a classic narrative, a hero's journey neatly set up for Michael to accomplish and all he has to do is follow the script.

And yet, doing everything right, by the book, Michael ultimately fails.

If, according to all of the doubts awakened by the developments in Warrior Nun (is Adriel's realm not Heaven? Is he not an angel? Is Reya God? Is Jesus just as alien as Adriel? Etcetera), the Catholic church's teachings are all twisted, incomplete, when not simply ignorant of all that is true in spiritual, metaphysical matters, then this saviour narrative that constitutes the foundation of the institution itself is doomed — as well as whatever guidance it could supply.

I was discussing with @halobearerhavoc earlier about (among many other intriguing things) how myth informs the show and how it might predict Reya's fall, but also how that event would necessarily depart from how it plays out in the original myth. That is due to the fact that our protagonist here is Ava, a woman, and that this tiny little fact of sex alone forces a shift in how things are presented, in which values are prioritised, in how conflict is treated, escalated or resolved — this applies here as well.

Michael was the textbook redeemer, he was made for this, brought up by Reya with this explicit purpose and with the acquired conviction that he was the key to it all.

Ava, on the other hand, is a product of coincidence, of accident, of the unfathomable. She is already a rupture in tradition — dead and brought back, unknowingly, unwillingly the "usurper" of the halo, inserting herself in the line of bearers at random when she doesn't even seem to have any belief... Ava exists outside of tradition. To Michael's determined "Destiny", she is the one imbued with free will (it isn't out of guilt or duty that she returns to the Cat's Cradle, but through Mary's sympathy, through her own understanding and action). Ava is the unplanned factor, contrasted with Michael who was so planned that his life might have begun inside a Petri dish.

It isn't determinism that will save us, a mantle of glory woven by someone else wanting to place it upon our shoulders regardless of our own wishes; it isn't a decrepit institution or some despotic deity that will define us or what we do; it isn't the heavy, malodorous layers of ancient mould gathered over the endless tomes of Established Tradition or the carefully made calculations of arrogant scientists who think they can predict and explain and control everything.

Salvation cannot be through what Michael represents: an imposed duty, a stagnant, hackneyed story.

A story, we would do well to remember, which was already used to subjugate others, whatever its initial intentions might have been; Jillian certainly didn't predict what would be of her son and surely the primitive Christians didn't see into the future to understand what their devotion and their modes of its transmission would cause, yet it came to happen. The extermination of the Cathars, the persecution of pagans, the burning of "witches", the suppression of indigenous beliefs, activities and lives, to name but a few of the atrocities committed in the name of this one story...

So it cannot be Michael, embodying this narrative so well, that will bring about a fortunate ending to humanity's troubles.

Instead, salvation comes through Ava. She herself might be inhabited by a number of parallels with Christ, but she also carries freedom, an outsider's view which makes the inside so see-through, love, an ability to move outside of what had been previously set for her by someone else (one might even argue that these are the traits that made Christ before the story surrounding him came about)...

The walls built around her needn't contain her — and, phasing as she does, they do not.

Moreover, what would have been the real ending to Reya's plan, had it been followed exactly as it should have? The divinium bomb did hit Ava in the end, but wouldn't it have been worse had she not been interrupted in running up to Michael while he immobilised Adriel during the televised freak circus?

Ava's unpredictability, her impulse, her innate need to act with free will rather than constricted by what others dictate — Ava is the foil to fate itself, the foil to a structure, to a hierarchy that has been festering and rotting from the beginning of time, it should seem.

The hero of this story could only ever be her.

[ryssabrin]

yeah i’m really not upset epler and bw made a purposeful choice to not set up the dalish as loyal to the risen gods and have them be enemies you have to fight and kill knowing that they’re being lied to and manipulated and used actually? like they could have bridged that gap a bit better with how they all decide to not follow elgar’nan and ghilan’nain so quickly (maybe using the dropped fen’harel agents storyline?) but i simply can not see this as a negative in fact.

[i3utterflyeffect]

Also the stress toys that Agent gives to Tim get broken in like

Min a day and the longest time that they managed to keep was a week

okay but the idea that agent keeps getting vic new ones is kind of sweet ngl...

[fideidefenswhore]

Anne's ability to hold the king off for seven years is part of her legend. The brilliance of her strategy was to cast herself in the role of the courtly lady, requiring Henry to play to perfect knight. Henry was nothing if not dogged in the pursuit of all the roles in which he cast himself—philosopher-king, warrior, even husband—and 'this persona of courtly lover...was fully formed in Henry and had been signaling...for an answering adept to come and lift its latch. In Anne, he had her: she was the mistress of Petrarchan contraries [...] the perfect [player] for the king's tender interest.'

Renaissance Prince: Elizabeth, Lisa Hilton

[retrocgads]

UK 1987